![]() ![]() You extract bodily materials-such as estrogen, melanin, testosterone, fat-and redeposit them into your artworks. I’m fascinated by the idea of holding a significant bodily identifier outside of your skin, and examining it like an object. In this case, the ceramic branch holds a bubble that contains melanin. sexual lives.7 In fact, particularly before the advent of gay liberation in the. Through these three case studies, I frame sex work as a type of. have impacted the actual form and content of LGBTQ art. I’m interested in how these fitted bases cue to the audience that this object is meant for holding, a holding that demonstrates an act of care. This multi-sited ethnography interrogates the ways in which gay tourism influences. The other work, I think about Lam Qua everyday III (2019), references the branch holders for scholar rocks and Chinese antique precious stones. gallery Rockies, I discuss the ways in which cruising and radical gay sex practises. These ambiguous surfaces are connected by vein-like lines, and allude to scientific diagrams that describe the body. colour, form and content may contribute to a queer aesthetic. One piece, from my “Diagrams” series (2018), is composed of casts of my body-in this case, my left chest and my shoulder blade-abstracted by the act of laborious sanding. to have multiple sexual and/or romantic relationships at the same time. I contributed two pieces to this current group show, “In My Room,” organized by Alvin Li at Antenna Space, Shanghai. However, many folks agree to some form of consensual non-monogamy (CNM) in which.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |